Short Stories & Tall Tales by Tom Sheehan
Sheehan served in the 31st Infantry Regiment, Korea 1951 and graduated from Boston College in 1956. His print/eBooks are Epic Cures; Brief Cases, Short Spans (from Press 53); A Collection of Friends; From the Quickening (from Pocol Press).
Books from Milspeak Publishers include Korean Echoes, 2011, nominated for a Distinguished Military Award and The Westering, 2012, nominated for a National Book Award.
His newest eBooks, from Danse Macabre/Lazarus/Anvil, are Murder at the Forum, an NHL mystery novel, Death of a Lottery Foe, Death by Punishment and An Accountable Death.
His work is in Rosebud (6 issues), The Linnet’s Wings (7 issues),Literary Orphans (4 issues including the Ireland issue), Ocean Magazine (8 issues), Frontier Tales (9 issues), Provo Canyon Review (2 issues), Western Online Magazine (9 issues).
His work has appeared in the following anthologies: Nazar Look, Eastlit, 3 A.M. Magazine, Appalachian Voices, Jake’s Monthly Recollections, Lady Jane’s Miscellany, Loch Raven Review, Rusty Nail, Red Dirt Review, Erzahlungen, R&W Kindle #2 & 4, Peripheral Sex, Storybrewhouse, Wheelhouse Magazine, Home of the Brave, Green Lantern Press, River Poets Journal , Writers Write and A Tall Ship, a Star, and Plunder.
He has 24 Pushcart nominations, and 375 stories on Rope and Wire Magazine. A new collection of short stories, In the Garden of Long Shadows, has gone to press with solid pre-release reviews and will be issued by Pocol Press this summer.
His personal site is being developed.
Find his Authors Herald page Here »
Read his Rope and Wire interview Here »
Spurge Wickett’s Murder Case
Tom Sheehan
False dawn’s first signal slipped into the trail-end town of Bountiful, Kansas, the cattle drive over a few days earlier, the train loaded and gone, some cowpokes from the drive hanging on for a few more laughs, a few more drinks, a last look at someone special, before they had to light out for a new drive, cows, dust, work galore on top of work, lousy food some days, thirst, sore rumps, campfire camaraderie, ballads with a guitar to fall asleep with, dreams of another life.
The Back of Beyond
Tom Sheehan
Kirk Taatjes, blond as fallen sunlight, fast gun unknown to most folks west of Pennsylvania, pulled his horse to a halt as they topped a rise in the trail. His gaze sped across three peaks of the Tetons as majestic as any peaks he had seen on his journey and guessed it was where he had been headed all the time, out there back of beyond as Mountain Jack Dawry called it from his last bed. “It’s where you got to go, kid, out past beyond, after the mountains, past the grass.”
Death in the Shadows
Tom Sheehan
The Texas evening carried grace and expectation as the sun moved on its last legs; soft shadows fell from all heights as though they were cotton balls shaped into vague contours, and a hush moved across the land the way mystery crawls, unknown, unsure of where to put down its feet, looking for contestants in the arena where life is lived a good part of the time.
The Passage at Muscle Hill
Tom Sheehan
Here was Morgan Gautry in a stoned-up cave, both hands smashed by a rifle butt, a renegade leader sparing him at length at the whim of his woman, a woman who liked the younger boy’s looks, a woman who had smiled at him so many times he couldn’t remember.
Sojourn
Tom Sheehan
A few folks on the one wide street of Victory Falls, Colorado saw the rider coming into town, the sun at his back not allowing some of them to see him clearly, nothing but a blur to a few others, and to others a lone man lost on his own horse.
The Prairie Kid’s Revenge
Tom Sheehan
The sun, it seemed that day, had been Hades-hot since it came on the horizon nearly blood-red at first. The bushwhacker on the small farm of Colby Dunne had fired at the farmer and hit the woman behind him, the woman loading the exchange of rifles, the woman who was his wife, the woman who was carrying their 8-months old unborn child. When the woman fell down dead, her child with her, the farmer chased the bushwhacker onto his horse and off the farm, the killer and his horse heading for the hills.
Tracking in Chimney Hills
Tom Sheehan
From a long way out on the trail he saw the tell-tale landmarks he’d been told about; “They’ll stand out not like mountains but like a row of chimneys back in Chicago or New York or Boston, or so they tell me, some other gents. You can’t miss ‘em, so head straight for ‘em. If Shady John Bigelow stole your woman, she’ll most likely be up that way.”
Lady with a Red Umbrella
Tom Sheehan
“I am the Devil’s due.”
He kept hearing her words, as if they were coming out of a long, thin funnel of rocks someplace where he had been; “I am the Devil’s due,” she said, the voice as thin and as narrow as the funnel of its delivery, that old place he could not remember. In the mountains. In his past. Anywhere?
“I am the Devil’s due,” she had said, just like the dice were loaded and had been tossed, still rolling end over end.
“I am the Devil’s due.”
The Kid from Shadowdance
Tom Sheehan
It all really began with a kid’s game and the kid was touted long before he got out of Shadowdance on the trail to Abilene, because he came lit up like a store window dummy, all shiny and glittery and showing off his duds and guns the way a carnival rider comes into the show tent. Some old folks along that Abilene road said, “He come clear out of Shadowdance with his guns shootin’ and him hollerin’ all the time and all the way like they was no tomorrow.”
Shadow Creek
Tom Sheehan
Houston McKee slipped out of the water and the cluster of reeds he had hidden in when the gunfight occurred more than an hour earlier. Hoof beats of the bushwhackers had faded for at least 20 minutes. He looked back at the providential growth of the thick reeds where he had hidden from them, caught away from camp without a weapon, and thanked Mother Nature for another good stand of growth with enough shade and shadow to hide his long frame.